The Day Was Entirely ‘Justifiable’

I wanted to draw a sketch of Justify, but I don’t seem to be able to find much time for art these days. This book cover of my sixth novel is my only “horse art.” (Design by Steven Novak)

Clinton, South Carolina, Sunday, June 10, 2018, 10:12 a.m.

By Monte Dutton

The plan was to write a racing column, but complications arose.

Automobile racing, that is.

Several months ago, attempting to shave a few dollars from my extravagant satellite bill, I changed packages, one consequence being that I no longer have access to Fox Sports2. Or FoxSports2. Or Fox Sports 2. Or FS2. Whatever it is, officially. At the time, I noticed that the NASCAR coverage on that channel seemed to be nil.

Naturally, the upshot is that rain has delayed the past two Xfinity Series races, and they have been switched to FS2. I am aware that I could stream the race, but I don’t like watching big races on itsy-bitsy screens. I passed.

Life Gets Complicated, Lightning in a Bottle and Cowboys Come Home are available at Emma Jane’s and L&L Office Supply in uptown Clinton.

I still watched racing. Justify won the Belmont Stakes and completed the Triple Crown. I probably would have watched it, anyway. It takes less than two and a half minutes.

I love horse racing. I don’t know much about its current state. I grew up around quarter horses and Appaloosas. As a teen-ager, I watched thoroughbreds work out early on Keeneland mornings because my father was an auctioneer, and he used to pack up the whole family and take us for a “vacation” so that he could watch the yearling sales. He wasn’t there to buy horses but rather to watch auctioneers.

My brother and I took the car and drove to Cincinnati to see baseball games, but we also visited Calumet Farm and Darby Dan, stared at the Man ’o’ War statue, and watched famous horses gallop around in meadows.

I fell in love with Justify on sight. He’s such a big, muscular horse. He reminds me more of a quarter than a thoroughbred. He has what we used to call “a blaze face,” and so did the reliable and beloved family stallion, Sunglow Fisher, who (which?) matched him in color, too. The hue is popularly known as chestnut, though we called it “sorrel.” Sorrel is, according to a dictionary, “a plant or flower of the genus Oxalis,” but also “a horse of a brownish orange or light brown color,” so we didn’t make it up, and it matches both Sunglow in my memory and Justify on my TV.

Sunglow played a small role in raising me. He lived to a ripe, old age and died either while I was in college or working as sports information director at Furman, my alma mater. Sunglow was the most docile stallion I’ve ever known, though I haven’t known any in well over 30 years.

In my mind, Justify won one – or, actually, three – for Sunglow.

I confided in Sunglow. He listened to me sing. He never required catching. If I wanted him, he’d trot over amiably, knowing I’d never mistreat him. My sister was more adept at more challenging steeds. I’ve been thrown by many horses. Never by Sunglow, whom I rode more than all the rest of the horses who came through the farm combined.

In lieu of rain-shortened Michigan, I watched baseball – the Red Sox won, the Gamecocks lost, the Longhorns lost, Vanderbilt won on a ninth-inning home run – and the Indy-car race from Texas.

Today I will play close attention to the Firekeepers Casino 400 at Michigan Speedway. Afterwards, I’ll go on Facebook Live to talk about the race, answer questions, encourage guests to buy and patronize my writing, and play a few songs on my guitar.

Justify and Sunglow Fisher might come up, too, because I still feel warm and touched at the base of my memory.


(Steven Novak cover

If you become a patron of mine, you’re supporting writing like this as well as my mostly NASCAR blogs at If you’ve got a few bucks a month to spare, click here.

Another way I cobble out a living is with my books, a wide variety of which are available for sale here.

The new novel, my eighth, is called Don’t Ask, Don’t Tell.

Lightning in a Bottle is now available in an audio version, narrated by Jay Harper.


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